Sketch Magazine #11
Feature Interview Adam and Andy Kubert (by Bill Baker)
Beau Smith Read All About Me
Tom Bierbaum How To Save The Comic-Book Industry
Mike Maydak E-Comics: FLASH in a Flash
Mitch Byrd The Art of Gravity and the Gravity of Art
KLAUS Print-On-Demand: A New Publishing Option for the Less-Than-Affluent Independent Creator
Stephen Steinbach Animation Basics 101: The Bouncing Ball
Book Reviews Uno Fanta by Ashley Wood
How to Draw Manga Special
Aaron Hubrich Digital Coloring: Setting Up Your Color Palettes
Sketch Magazine #12
Feature Interview Frank Cho (by Bill Baker)
John Staton How To Draw Manga: Brandy
Beau Smith Rants, Raves and Random Notes
Tom Bierbaum Making Your Characters Real
Mitch Byrd How To Draw “Thumbnails”
Chuck Dixon How To Talk To An Editor
KLAUS How Independent Creators Can Awaken The Outside World
Chris Dreier Inking the Figure, Part 1
Paul Sizer Better Color in Comics
Aaron Hubrich Be A Super-Hero Photoshop User
Sketch Magazine #13
Feature Interview David Michael Beck
Interview Josh Blaylock
Beau Smith “Assume” the Postion
Mitch Byrd How To Draw: Directing the Eye
Tom Bierbaum Moving Beyond “Good Guys” and “Bad Guys”
Chuck Dixon A Writer’s Guide to Pencilers
Chris Dreier Inking the Figure, Part 2
Book Review The Art of Nick Cardy
Aaron Hubrich How to Scan in Your Work
David Michael Beck My Working Process
Sketch Magazine #14
Feature Interview Neil Gaiman (by Bill Baker)
Chuck Dixon Give Your Penciler a Day Off…And Make Him Love You For It
Beau Smith Pimping Can Be Easy
Hilary Barta Pencils and Inks
Tom Bierbaum School For Comic-Book Writer
Pam Bliss Minicomics Insider
Francesco How To Make Zip-Dotz
Paul Sizer The Process of Pin-Ups
Aaron Hubrich Channels: Setting Up Your Art For Digital Color
Sketch Magazine #15
Feature Interview Jan Duursema (by Bill Baker)
Chuck Dixon How To Write Comics-When You Don’t Feel Like It
Mitch Byrd How To Draw: Putting the Characters in Their Place
Tom Bierbaum Art or Commerce
Chris Dreier
w/ Jacob Papham Inking Basic Backgrounds
Pat Quinn Applying Perspective to Your Storytelling
Stephen Steinbach Animation 101: The Head Turn Assignment
Aaron Hubrich Digital Color: How to Make Quick Brick in Five Minutes
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Sketch Magazine #16
Sketch Magazine #17
Feature Interview Ron Garney (by Bill Baker)
Beau Smith The Big Keep
Chuck Dixon Keeping It Real
Mitch Byrd Light Up Your Pencils
Tom Bierbaum How To Be Funny
Bill Baker The Violent Messiahs on the Honing of “Scalpel”
Pat Quinn Coming to Terms With Your Inks
Aaron Hubrich Digital Coloring: Grayscaling: It’s the Next Best Thing
Sketch Magazine #18
Feature Interview Pat Lee (by Bill Baker)
Beau Smith Full Court Press Release
Mitch Byrd Some Notes About Tones
Chuck Dixon There’s Got To Be a Pony Here Somewhere
Mike Dominic How To Publish a Comic For Next To Nothing
Tom Bierbaum When They Hate Your Comic
Pat Quinn Point Perspective
Aaron Hubrich Some Background on Backgrounds
Sketch Magazine #19
Feature Alan Moore
Beau Smith I Sold My Soul on eBay
Mitch Byrd Proper Staging
Chuck Dixon Kiss Me and Make It a Love Story
Tom Bierbaum Your Job Doesn’t End on Page 22
Dan Davis Following the Comic Book Creative Process From Start to Finish…
Francesco! Spring Into Cleaning
Reviews Books
Reviews Tool Crib
Aaron Hubrich Lens Flares Made Easy
Sketch Magazine #20
Feature J. Michael Straczynski
Beau Smith How I Busted in the Comic Business in Eight
Punches Or Less
Mitch Byrd Storyboards
Chuck Dixon It’s Time to Listen to the Voices in Your Head
Bob Hickey Comic Book Tech: It’s Only Paper!
Tom Bierbaum 101 Tips for Saying It in Plain English
Bob Hickey Copic Markers
Bob Hickey Comic Book Tech: FW-Black?
Aaron Hubrich Quick Colors Over Pencils Using Photoshop
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